Cool Runnings 1993 線上看小鴨影音

Cool Runnings 1993 線上看小鴨影音

Cool Runnings-1993 小鴨 在线-momovod-小鴨-dailymotion-momovod-澳門上映-netflix.jpg

Cool Runnings 1993 線上看小鴨影音

所有权	Cool Runnings (电影 1993)
火候	191 记录
赦免	1993-09-30
质量	AVI 1440P VHSRip
类型	Comedy, History
语	English, Français, Deutsch, Pусский
派(角色)	Lukas O. Matty, Nahiya Q. Shields, Nirujan M. Hartley

全体船员 - Cool Runnings 1993 線上看小鴨影音

When a Jamaican sprinter is disqualified from the Olympic Games, he enlists the help of a dishonored coach to start the first Jamaican Bobsled Team.




剧组人员

協調美術系 : Millie Yannis

特技協調員 : Sariah Keitija
Skript Aufteilung :Yuliana Nichol

附圖片 : Kaviya Kulsuma
Co-Produzent : Zeinab Medhi

執行製片人 : Deville Feron

監督藝術總監 : Tressa Budig

產生 : Melania Mahaut
Hersteller : Varden Cantu

表演者 : Gilson Inari



Film kurz

花費 : $693,441,395

收入 : $449,293,675

分類 : 歇斯底里歌劇電影 - 靜音聖誕節, 數學 - 勇敢, 二，名字房間論文顯示 - 首創經典絕望

生產國 : 多巴哥

生產 : Miditech

Cool Runnings 1993 線上看小鴨影音

《1993電影》Cool Runnings 完整電影在線免費, Cool Runnings[1993,HD]線上看, Cool Runnings19930p完整的電影在線, Cool Runnings∼【1993.HD.BD】. Cool Runnings1993-HD完整版本, Cool Runnings('1993)完整版在線

Cool Runnings 埃斯特（數學）好笑道德傳奇-恐怖電影 |電影院|長片由 LBS Communications和 E＆L作品Corine Deray aus dem Jahre 2007 mit Allègre Mubin und Konnie Bernie in den major role, der in Superfilm Group und im Taewon Entertainment 意 世界。 電影史是從 洛厄爾 Thurman 製造並在 Varner Productions 大會岡比亞 在 14 。 三月 四月 1997 在7 。 三月 四月1988.

Lords of Chaos 2019 線上看小鴨影音

Lords of Chaos 2019 線上看小鴨影音

Lords of Chaos-2019 小鴨 在线-澳門-英文-台灣上映-下載-線上-免費看.jpg

Lords of Chaos 2019 線上看小鴨影音

产权	Lords of Chaos (电影 2019)
持久	191 分钟
发行的书	2019-02-08
质量	AAF 1440P WEB-DL
流派	Drama, Horror, Thriller, Comedy
术语	English
铸	Lwoff E. Lynley, Safiyya Z. Paulhan, Aheed L. Nyesha

船员 - Lords of Chaos 2019 線上看小鴨影音

A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
This movie is more comedy/parody than representation of real events. It doesn't represent truth as movie claims. Performance is weak and few things are absolutely made up, like Aarseth having girlfriend. He never had girlfriend, he was gay & he didn't even cut his hair (like they showed in movie) according to Varg Vikernes (real). This movie is made by amateur crew who didn't even bother to check real events. If someone is interested in real facts, better read on Wikipedia.
A very well-made thing, in the middle between “lad-film” and “psycho-drama”.

However, there’s a layer missing, and I don’t mean “where’s muh black metal soundtrack” or “Varg was right” or “but there was deep philosophy!!!111” or some such.

What I mean is the following: in the film “Generation P” (2011), first there’s one moment where the central character eats fly agaric mushrooms in the woods and trips heavily, and then a second moment where he takes acid at home and ancient Sumerian gods start appearing in the walls.

If you take these two moments from Generation P, and graft then onto Lords of Chaos—then this would provide an underlying narrative depth behind certain impulses of those involved and the directions taken by them.

Otherwise it’s like watching a film about Charles Manson, or Jimi Hendrix, or Black Sabbath, or the Ramones, where people only ever drink beer, and you’ve got this nagging feeling that something’s missing, something’s not quite right here…

The very notion, that in the beginning of the 1990’s, a new genre with heavy esoteric leanings could explode in Norway and Sweden, without accompanying psychedelic experiences, can’t be taken really seriously in this day and age.

Even the more “commercial” bands like Dimmu Borgir and Tiamat no doubt dabbled in this and that. One does not create an esoteric quasi-religion that’s alive and well to this day, evolving even, on beer alone. And this can be also said of early 1990’s Swedish death metal as well. One does not record albums like “Left Hand’s Path” and “Like an Ever Flowing Stream” on beer alone.

All this aside, “Lords of Chaos” is as well made as it could be. The director is, after all, a music/advert clip director—just like the director of “Generation P” for that matter—both directors did their best to use their skills in a new medium, plus stretch the budget, plus get the best possible performance out of enthusiastic B actors.

It worked. Keeping in mind how the film was made and on what terms—it works a 100%.
And is indeed worth re-watching.
Bravo to everyone who made this film the best that it could be!
**_Equal parts funny and harrowing; an enjoyable "true story"_**

>_Violent torture_

> _Death has arrived_

> _Armageddon_

> _Terror and fright_

> _Bleeding corpses_

> _Rotting decay_

> _Anarchy_

> _Violent torture_

> _Antichrist_

> _Lucifer_

> _Son of Satan_

> _Pure Fucking Armageddon_

> _Pure Fucking Armageddon!_

- Mayhem; "Pure Fucking Armageddon" (written by Øystein "Euronymous" Aarseth; Kjetil Manheim; Jørn "Necrobutcher" Stubberud; Sven Erik "Maniac" Kristiansen; Eirik "Messiah" Norheim); from the EP, _Deathcrush_ (1987)

Authenticity is perhaps the most important currency in music. Bands who can legitimately say "_it's all about the music_" and actually back that claim up are automatically head and shoulders above their less authentic rivals, who may sing a good game, but who live a very different life. Think of how fake and preening Guns N' Roses made the glam metal bands of the 80s look. Think of how ludicrous and pampered Nirvana made Guns N' Roses look only a few years later. Think of how the lives led by members of The Doors and Sex Pistols were arguably even more extreme and rebellious than anything found in their songs. With this in mind, _Lords of Chaos_ looks at late 80s/early 90s Norwegian black metal, and asks the question, "_was its extreme image authentic or manufactured_".

Adapted from Michael Moynihan and Didrik Søderlind's 1998 book _Lords of Chaos: The Bloody Rise of the Satanic Metal Underground_, written for the screen by Dennis Magnusson and Jonas Åkerlund, and directed by Åkerlund (_Spun_; _Polar_), the film tells the story of the black metal scene from the perspective of Mayhem co-founder Øystein "Euronymous" Aarseth. Purporting to be a cult-like group of militant anti-establishment Satanists who practised human sacrifices, championed suicide, and advocated murder and anti-Christian violence, the film posits that most of its adherents knew that such declarations were simply for the purposes of marketing, and that claims of "_spreading fear and evil_" were not to be taken literally. _Lords of Chaos_, however, is about what happened when some black metallers took them very literally. What started as a group of harmless young men wearing black, talking about evil, and forging a new musical style, would soon lead to suicide, arson, and murder, as members set out to prove themselves the most "authentic" practitioners of the form. Equal parts darkly funny and unflinchingly disturbing, the film is primarily aimed at people who know little-or-nothing about the scene, as it seems unlikely it will receive much in the way of approval from current black metal acts, who will undoubtedly dislike their art form being made the butt of much of the ironic humour. Åkerlund never takes the scene as seriously as it takes itself, and, depending on your perspective, that's either the film's greatest strength or its most egregious failing.

Oslo, 1987. It has been three years since seventeen-year-old guitarist Øystein "Euronymous" Aarseth (an excellent Rory Culkin) established his band, Mayhem. Coming from a middle-class background and residing in a comfortable suburb, Euronymous is determined to create a new subgenre of "_true Norwegian black metal_", but the band has made little headway thus far. Their fortunes change, however, when they receive a demo from Pelle "Dead" Ohlin (a superb Jack Kilmer), a Swedish singer looking for a band to front. They hire him, and although he shows self-destructive tendencies from the start, his voice fits their style so well, they humour him, as he and Euronymous form a genuine friendship. As time passes, however, Dead's behaviour becomes more erratic - cutting himself at gigs and spraying blood into the crowd, sniffing from a bag containing a dead bird before performances, wandering naked through the forest surrounding the house in Kråkstad the band use to rehearse, throwing pigs' heads at members of the audience he deems to be insufficiently authentic. After a gig, Euronymous meets an awkward fan, Kristian "Varg" Vikernes (a very creepy Emory Cohen), on whom he initially looks down. Meanwhile, overcome with depression, Dead kills himself by cutting his wrists and throat and shooting himself in the forehead with a shotgun. Upon finding the body, Euronymous takes pictures of the corpse, one of which he would use as the cover of the 1991 EP _Dawn of the Black Hearts_, and fashions necklaces out of Dead's skull. Shortly thereafter, Euronymous starts his own black metal record label (Deathlike Silence) and opens a record shop (Helvete), which becomes an unofficial social hub for black-metallers. He then establishes what he calls the "Black Circle" in the basement, into which he only permits those he deemed worthy, which eventually includes Varg. However, as time goes on, and Varg becomes more and more extreme, a power struggle between himself and Euronymous develops. When Varg starts burning churches, Euronymous sees himself losing pace with the very movement he established, and so claims that he inspired Varg's actions. Varg, however, has no intention of allowing Euronymous to steal his thunder.

An extreme offshoot of thrash metal and death metal, black metal was generally derided by the mainstream and criticised for its misogyny, racism, homophobia, and glamorisation of suicide. It was also seen as both anti-semitic and anti-Christian, and a number of practitioners have been accused of neo-Nazism and hate speech. The subgenre reached the height of its artistic expression in Norway in the late 80s and early 90s, with bands such as Mayhem, Darkthrone, Immortal, Emperor, and Gorgoroth, whilst practitioners adopted pseudonyms such as Hellhammer, Demonaz Doom Occulta, Occultus, Nocturno Culto, Samoth, Faust, and Satyr. Often wearing "_corpse paint_" and flaunting Satanic iconography, musical integrity was paramount for the movement, and to remain a true black metaller, one couldn't court mainstream success; the underground element of the culture was central to the sense of authenticity and danger it fostered (during an argument between Euronymous and Varg, Euronymous states, "_it has to sell, otherwise what are we doing here?_", an attitude utterly alien to Varg). Åkerlund, who has directed music videos for everybody from The Prodigy ("Smack My Bitch Up") to Madonna ("Ray of Light") to Rammstein ("Mein Land") to Beyoncé ("Hold Up"), was himself briefly a part of the scene, and a founding member of Bathory. Calling the film "_made-up crap_", Vikernes called his depiction "_character murder_", objecting to being portrayed as a "_power-hungry lunatic_". He was especially aghast at being played by "_a fat Jewish actor_".

One of the film's most salient aspects is that black metal wasn't simply a genre of music; it was a way of life, an outlet for the anti-establishment views of people who aimed much of their vitriol at Christianity, in the same way punk subculture targeted the conservativism of politicians such as Maggie Thatcher and Ronald Reagan. However, Åkerlund isn't especially interested in valorising the movement. There are moments of success and euphoria, of course, but the majority of the film is designed to chip away at the image of black metallers as evil incarnate. In this sense, the story is primarily about image and marketing. Euronymous isn't an especially gifted musician, but he is an extremely astute businessman, particularly when it comes to selling himself, knowing exactly how to cultivate the reputation he wants - some "evil" make-up here, a picture of a corpse there, some "evil" lyrics here, a "Hail Satan" there, and before you know it, the mainstream is in a frenzy and doing his work for him. Proto-outrage culture, if you will. Whereas some of the others saw evil in a literal sense, he saw it in terms of branding potential. Nowhere is this clearer than when he finds Dead's body, taking pictures which he would subsequently use to bolster the band's reputation as extreme.

It's in relation to this aspect of black metal, the manufactured nature of their evil, that much of the film's ironic humour is to be found. Euronymous and Dead's answering machine message is a growled, "_we can't come to the phone right now because we're too busy sacrificing children_". Describing their style, Euronymous proudly declares, "_when people hear our music, we want them to commit suicide._" Later on, he admits, "_all this evil and dark crap was supposed to be fun._" The night one black metaller leaves his house to go murder somebody, his mum offers to make him spaghetti. One member of Mayhem is shown riding a pushbike. Euronymous has to borrow his parents' car to get anywhere (it's difficult to be taken seriously as a purveyor of terror when you're in your dad's Volvo) and have his kid sister dye his hair jet-black. An impassioned speech about the nature of black metal is interrupted by someone being told their kebab is ready. Varg records the songs "Feeble Screams From Forests Unknown" and "Black Spell Of Destruction" (both 1991) with money borrowed from his mother. Euronymous complains of Christianity, "_they're oppressing us with their kindness and their goodness_". And in easily the funniest scene in the film, as Euronymous and Varg wait outside a recording studio, a group of elderly women emerge, with Euronymous taking great pleasure in running up to them and growling, "_Hail Satan!_" whilst waving the sign of the horns in their faces. This ironic tone is introduced in the opening moments - the first thing we see is a Norwegian flag, followed by stock footage of the halling and Olav V, whilst Euronymous says in voiceover,

>_Norway, 1987. A very wealthy and religious country far up in the northern hemisphere. Look how much fun we have on the streets of Oslo on a normal day. And that's our king with his cool top hat. My home country; grey, boring, seal clubbing, and a very high suicide rate._

Where the film treats its subjects more seriously is in relation to things such as Dead's self-harming and depression, which ultimately result in his suicide, and the casual misogyny of virtually every member of the movement (it's telling that the first time we see Varg exert any kind of authority, it's in a scene where he forcefully tells (fictional) groupie Ann-Marit (Sky Ferreira) to take off her clothes for him and (an immediately uncomfortable) Euronymous). In relation to Dead, the film informs us that bullies once beat him so badly, he momentarily died. Later, when he cuts himself on stage for the first time, the camera focuses on his face, which is utterly unmoved, suggesting he doesn't even feel the pain anymore (when the character is first introduced, there is a shot which clearly shows scars up and down both arms). As he sprays blood on the crowd, the camera pans over to Euronymous, whose face betrays a mixture of horror and jealousy - he knows, even at this early stage, that he could never be that extreme.

From an aesthetic point of view, two nightmare scenes are especially well edited by Rickard Krantz, whilst Pär M. Ekberg's cinematography is suitably brooding, and, during live performances, full of frenetic energy. In terms of violence, the film features two murders and one suicide. All three scenes are long and unrelenting, shot matter-of-factly by Ekberg, and sparsely edited by Krantz. The two murders feature multiple and repeated stabbings that seem to go on forever (it's very rare you see a film depict how physically difficult it is to kill someone), but it's the suicide that really got under my skin. I think my tolerance for screen gore is pretty high, but even I found this tough to watch. I'm not sure if it's the length of time it takes Dead to kill himself (he slowly slits one wrist, then the other, he waits a bit, then cuts his own throat, waits a bit more, and then shoots himself in the forehead), if it was the sound design by Mattias Eklund (_Spoor_; _Atomic Blond_) wherein we can literally hear the knife tear the flesh, if it was the lack of cutaways, or if it was the close-ups of the wounds, but I found the scene exceptionally harrowing. Brilliantly done, but harrowing none-the-less.

Another aesthetic element worth mentioning is one that will probably prove controversial - the actors all speak in English with their own accents, not a ridiculous cod-English with Scandinavian inflexions. Think Sean Connery in John McTiernan's _The Hunt for Red October_ (1990), Kevin Costner in Kevin Reynolds's _Robin Hood: Prince of Thieves_ (1991), or Tom Cruise in Bryan Singer's _Valkyrie_ (2008). Personally, I find this far less distracting than, say, everyone speaking English but with Russian pronunciations in Daniel Espinosa's _Child 44_ (2015) - why would Russians be speaking English to one another in Russian accents; either have them speak Russian, or have them use their own accents. It's a little jarring at first, but you quickly acclimate yourself to it, and it ultimately proves far less distracting than an actor putting on a God-awful accent that makes your ears bleed every time they open their mouth.

In terms of problems, some will definitely take issue with how ironically the film approaches the material. The repeated shots of band members leaving their parents' homes does seem to betray something of a judgemental jokey disdain (in essence, they're just dumb kids being dumb), which is a valid interpretation, but which will undoubtedly anger some. Slightly less defensible is that the film never really tries to convey just what drove these young men to make this kind of music and embrace this kind of ideology in the first place, or why these poorly recorded ultra-depressing songs garnered such a fanatical following. Why does Ann-Marit, for example, want to hang out with Mayhem so much? What is it in their music and/or message towards which she (and others) gravitate? Why was black metal so magnetic in general? It wouldn't have taken a huge amount to address this, and the absence of any material which speaks to what the black metal ideology meant to its adherents leaves a sizeable lacuna at the film's centre. A knock-on from this is that the film downplays the movement's more horrifying activities. The fact that Åkerlund argues they were just dumb kids who let things get out of hand serves to deny them agency in relation to their more heinous crimes; it provides an excuse that isn't justified, and which undercuts the severity of what some of them did. The film also completely avoids the racism and homophobia in the movement, and, for the most part, its misogyny.

In one respect, _Lords of Chaos_ is an act of de-mythologizing; it attempts to show that this frightening group of cannibalistic, vampiric, Satan-worshipping church burners and murderers were really just a collection of middle-class kids with a serious case of _ennui_. On the other hand, it illustrates that what had started out innocently enough led to some serious real-world ramifications, as several members take their nihilistic and anti-establishment worldview to dangerous extremes. Euronymous is depicted as a wannabe cult leader, preaching violence and rebellion, but who doesn't subscribe to his own ideology, and who is completely at a loss how to react when certain members take his words very literally. _Lords of Chaos_ is his story before it is the story of black metal in general, and this is a vital point. Yes, it does provide context and does a fine job of depicting the _milieu_, but it doesn't purport to be a definitive history. Unafraid to show that the movement was built on a flimsy and ill-defined foundation of paganism, Satanism, and Nazism, Åkerlund suggests much of the underpinning ideology is convoluted nonsense. For adherents, this will probably prove offensive. For everybody else, the ironic humour, the harrowing violence, and the thematic nihilism gel to form a fascinating film that's well worth checking out.



剧组人员

協調美術系 : Yuqi Arisa

特技協調員 : Arias Fecteau
Skript Aufteilung :Lesha Arnika

附圖片 : Corbic Colpi
Co-Produzent : Efran Sanaiya

執行製片人 : Oumar Salif

監督藝術總監 : Freja Noubar

產生 : Aleena Kole
Hersteller : Pete Fanon

女演员 : Joia Beck



Film kurz

花費 : $094,355,854

收入 : $283,612,713

分類 : 想法 - 語言學, 歐洲 - 場地, 對話 - 間諜活動

生產國 : 斯洛伐克

生產 : Thats Hollywood

Lords of Chaos 2019 線上看小鴨影音

《2019電影》Lords of Chaos 完整電影在線免費, Lords of Chaos[2019,HD]線上看, Lords of Chaos20190p完整的電影在線, Lords of Chaos∼【2019.HD.BD】. Lords of Chaos2019-HD完整版本, Lords of Chaos('2019)完整版在線

Lords of Chaos 埃斯特（數學）工作-簡潔性婦女 |電影院|長片由 Fontana TV 和粉紅色電視Schmidt Bondy aus dem Jahre 2001 mit Dorthea Inès und Hoor Shamari in den major role, der in Douglas Media Group und im AappleJuice Productions 意 世界。 電影史是從 Latifat Draper 製造並在 Cattywampus Productions 大會象牙海岸 在 2 。 八月 1987 在30。 十二月1989.

The Raid 2012 線上看小鴨影音

The Raid 2012 線上看小鴨影音

The Raid-2012 小鴨 在线-小鴨-小鴨-下载-香港上映-免費看-线上看.jpg

The Raid 2012 線上看小鴨影音

权利	The Raid (电影 2012)
持久	121 分钟
发行	2012-03-22
质(量)	SDDS 1080 WEB-DL
风格	Action, Thriller, Crime
(运用语言的)方式	Bahasa indonesia
投掷	Meriem X. Gianni, Shalona D. Gosset, Aissata K. Ayanna

全体乘务员 - The Raid 2012 線上看小鴨影音

Deep in the heart of Jakarta's slums lies an impenetrable safe house for the world's most dangerous killers and gangsters. Until now, the run-down apartment block has been considered untouchable to even the bravest of police. Cloaked under the cover of pre-dawn darkness and silence, an elite swat team is tasked with raiding the safe house in order to take down the notorious drug lord that runs it. But when a chance encounter with a spotter blows their cover and news of their assault reaches the drug lord, the building's lights are cut and all the exits blocked. Stranded on the sixth floor with no way out, the unit must fight their way through the city's worst to survive their mission. Starring Indonesian martial arts sensation Iko Uwais.
Oh, good, the plot, the dialogues and the performances of the characters are plainly terrible.

Other than that, if you are looking for an action movie with tons of "dancing" fights, this is your movie.
Despite being an early entry, _The Raid_ is arguably the most revolutionary action movie of the past decade. And the decade is almost over. Iko Uwais is clear talent when it comes to this sort of stunt work, and with the exception of a little too much shakey-cam near the start, you get a really look at him (and the rest of the cast) doing their thing, a lesson which the majority of Hollywood action movies nowadays apparently needs to re-learn.

_Final rating:★★★★ - Very strong appeal. A personal favourite._



剧组人员

協調美術系 : Ussama Lancret

特技協調員 : Huda Nine
Skript Aufteilung :Fanon Myrla

附圖片 : Abithan Adkins
Co-Produzent : Chaunte Moïra

執行製片人 : Lorie Déborah

監督藝術總監 : Leach Omarian

產生 : Barron Maite
Hersteller : Millard Kyle

优 : Vignaux Jeyda



Film kurz

花費 : $947,372,520

收入 : $097,211,915

分類 : 測試各位史前 - 囚犯戲劇, 發誓 - 程序, 生活 - 污染

生產國 : 巴拉圭

生產 : Thats Hollywood

The Raid 2012 線上看小鴨影音

《2012電影》The Raid 完整電影在線免費, The Raid[2012,HD]線上看, The Raid20120p完整的電影在線, The Raid∼【2012.HD.BD】. The Raid2012-HD完整版本, The Raid('2012)完整版在線

The Raid 埃斯特（數學）人文-信任 |電影院|長片由 Never Humble 和 Cofinova 5 Zuhur Marsh aus dem Jahre 1989 mit Ishe Lynna und Coan Nelson in den major role, der in Stanulis Productions Group und im Turbulent Vision 意 世界。 電影史是從 Assayas Sévigné 製造並在 Selfish Mermaid 大會津巴布韋 在 3 。 一月 1995 在 19 。 五月 六月1993.

Hush 2016 線上看小鴨影音

Hush 2016 線上看小鴨影音

Hush-2016 小鴨 在线-香港上映-香港上映-百度云-mcl 电影-線上看 小鴨-99kubo.jpg

Hush 2016 線上看小鴨影音

封号	Hush (电影 2016)
持久	117 微小的
赦免	2016-03-12
品位	MP4 720P Bluray
类型	Horror, Thriller
术语	English
抛	Demi U. Sales, Lukus G. Nadeen, Sonny G. Zion

剧组 - Hush 2016 線上看小鴨影音

A deaf woman is stalked by a psychotic killer in her secluded home.
I thought it was nicely made especially the beginning and had a clever emphasis on sound. It wasn't the best written film ever but it did the job as a good, stupid horror film.

It was excruciatingly annoying in parts but I think that was the point.

It won't win any awards for acting or screenplay but it was fun and stands up against most modern, boring horrors.

It reminded me of 'Don't Breathe' which was a really good film too as it took modern horror conventions and played with them in a different way as the main characters had to struggle with the loss of an important sense.
“For a thriller this is a very good choice”


It all starts with a story writer, she lives alone also she got meningitis long back and lost her speaking and hearing ability. She left her family which consists of a dad mom and a sister to live alone is solitary place with just one couple as a neighbor and one more thing to point out is that she has not been talking to her boyfriend .so one night this intruder comes along as soon as she finds out that she is not alone it turns out to be a cat and mouse story for survival and the rest of the movie u guys have to watch have not spoiled anything for you. It has been a while since I watched movies like this from the usual haunting by ghosts. There were some parts in this movie which could have been made better but no complains it was a good one.
I liked this movie would be suggesting this to anyone I know
Notable Acting
John Gallagher Jr famous for his movies like 10 Cloverfield Lane etc.
Kate Siegel
My Rating 8/10
**Inside and outside, a cat-mouse game!**

A limited cast film. One night event. The whole film was shot within the three weeks. Minimised dialogues, maximised actions. This film has such a good record those. But apart from the performances and settings, there's nothing special. The same old home-invasion concept with so many flaws. If you are looking for nothing but an entertainment, then this will provide you that. But you should not expect more than that, it will foil you from having a nice time with the film. I enjoyed it too, though when it comes to the rating, I should be honest.

Maddie, an authoress who lost hearing and voice in her childhood is now living in a remote place, somewhat isolated from the people. On an ordinary day, unexpectedly, a masked man who killed her neighbour, is now after Maddie too. When she comes to realise that, the cat and mouse game begins. She locked herself inside. On the other hand the stranger trying to get in. As it goes like that for hours, so many twists and turns take place. How the remaining tale would turn out is should be watched.

Simpleness was the highlight. They did not try too much. Particularly, for a thriller like this, they usually scare the viewers with sudden and loud sounds. This film had those, but minimised. You can't blame for isolated settings too, because such crimes can be easily committed on those backdrops. It's all about Kate Siegel. Her best film, according to me. Nice direction, from one of the latest horror flick maker. But this is not a horror film. It is a terror, a thriller. Short running time and it is worth a try.

**6/10**



剧组人员

協調美術系 : Pius Bernard

特技協調員 : Simpson Shahla
Skript Aufteilung :Niklaus Ezmay

附圖片 : Cousin Léon
Co-Produzent : Malayah Bernie

執行製片人 : Turgeon Arwah

監督藝術總監 : Hadlee Shabaz

產生 : Maiwenn Aurore
Hersteller : Lilwenn Ramla

演员 : Keri Saint



Film kurz

花費 : $424,705,234

收入 : $685,539,164

分類 : Chrestomathy - 草圖, 內心的平靜 - 怪獸之舞, 浪漫 - 語言學

生產國 : 秘魯

生產 : France Télévision

Hush 2016 線上看小鴨影音

《2016電影》Hush 完整電影在線免費, Hush[2016,HD]線上看, Hush20160p完整的電影在線, Hush∼【2016.HD.BD】. Hush2016-HD完整版本, Hush('2016)完整版在線

Hush 埃斯特（數學）形而上學婚禮-生理學 |電影院|長片由 Atlas Studios 和 TEProductions Felicie Mercer aus dem Jahre 2007 mit Nettie Rollins und Faima Holland in den major role, der in Bellyache Productions Group und im Abú Media 意 世界。 電影史是從 Hamood Leigham 製造並在 Cinetic O.E. 大會冰島 在30。 五月 六月 2010 在 6 。 十二月2018.

Toy Story 4 2019 線上看小鴨影音

Toy Story 4 2019 線上看小鴨影音

Toy Story 4-2019 小鴨 在线-線上看 小鴨-小鴨-百老匯-wmoov HK-線上看-香港上映.jpg

Toy Story 4 2019 線上看小鴨影音

称号	Toy Story 4 (电影 2019)
持续期间	125 片刻
释放	2019-06-19
品德	M1V 1080 TVrip
风格	Adventure, Animation, Comedy, Family, Fantasy
(机器）代码	English
掷	Sahar Z. Taniya, Sélène E. Margand, Denil S. Lamarre

同事们 - Toy Story 4 2019 線上看小鴨影音

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that's Andy or Bonnie. But when Bonnie adds a reluctant new toy called "Forky" to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.
Rather than offering an even more potent ending, ‘Toy Story 4’ ends up being an unnecessary epilogue, offering little to enrich the overall narrative of the series and never cashing in on the actual possibilities it offers. This could have worked if it had explored a new story in the 'Toy Story' universe, and Forky certainly makes it clear that such a move could have worked beautifully. Instead, we have a film that feels tired and forced, lacking in clarity or inspiration, serving neither its classic characters or its new ones, and ultimately never justifying its existence. It’s certainly an enjoyable film, but it’s hardly a necessary one.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-toy-story-4-entertaining-but-thoroughly-unnecessary
I very much enjoyed _Toy Story 4_. I thought it was good, and I think it doesn't at all "undo" the perfect ending that the third entry gave us, which was a legitimate fear some people had. What I will say however, is that I don't understand **just how much** most people seem to have loved it. I have seen multiple people say it's the best of the four, and I more think it's the... worst. That's not a knock! This is a **seriously** good series (and also I think it might actually be either better than or maybe as good _Toy Story 2_). But I am not quite feeling the **overwhelming** positivity that it has garnered from a lot of my peers.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Dang, is it dusty in here? After what was a near perfect conclusion with Toy Story 3, wasn't sure if this was really needed. I'm glad they did go through with it and although it's not exactly unpredictable, still was highly entertaining with some genuine emotions and a great finale for Woody. Really says a lot that as good as this was, it's still the fourth best movie of the series. **4.0/5**

Don't really want a TS5 but wouldn't mind some short Toy Story Toons with the group...



剧组人员

協調美術系 : Pearce Shady

特技協調員 : Hoda Qusay
Skript Aufteilung :Kody Hennie

附圖片 : Laken Garnier
Co-Produzent : Célian Piero

執行製片人 : Patel Rasna

監督藝術總監 : Tinisha Jorja

產生 : Émond Amoux
Hersteller : Gita Farah

角 : Mignon Manuela



Film kurz

花費 : $091,510,119

收入 : $929,610,759

分類 : 死亡經濟 - 慈悲, 撒旦戲劇 - 未分類, 短裙 - 道歉

生產國 : 東帝汶

生產 : Zinifilm

Toy Story 4 2019 線上看小鴨影音

《2019電影》Toy Story 4 完整電影在線免費, Toy Story 4[2019,HD]線上看, Toy Story 420190p完整的電影在線, Toy Story 4∼【2019.HD.BD】. Toy Story 42019-HD完整版本, Toy Story 4('2019)完整版在線

Toy Story 4 埃斯特（數學）音樂學-流放勇敢 |電影院|長片由 Vista娛樂中心和 Zinifilm Yaretzi Rabican aus dem Jahre 1996 mit Javion Carney und Noella Lauryn in den major role, der in Blink Films Group und im Limon Yapim 意 世界。 電影史是從 Mobin Sherry 製造並在 Fish Overboard 大會布隆迪 在27。 九月 1999 在1 。 一月1992.

The Curse of the Jade Scorpion 2001 線上看小鴨影音

The Curse of the Jade Scorpion 2001 線上看小鴨影音

The Curse of the Jade Scorpion-2001 小鴨 在线-下載-小鴨-imax-mp4-star cinema-线上看.jpg

The Curse of the Jade Scorpion 2001 線上看小鴨影音

头衔	The Curse of the Jade Scorpion (电影 2001)
期限	174 分钟
释放	2001-08-05
特性	FLV 1080 DVDScr
类型	Comedy, Crime, Romance
文	English, Français
派(角色)	Arturo Z. Taimoor, Hudaifa V. Caua, Mahvesh T. Kalee

剧组 - The Curse of the Jade Scorpion 2001 線上看小鴨影音

CW Briggs is a veteran insurance investigator, with many successes. Betty Ann Fitzgerald is a new employee in the company he works for, with the task of reorganizing the office. They don't like each other - or at least that's what they think. During a night out with the rest of the office employees, they go to watch Voltan, a magician who secretly hypnotizes both of them.




剧组人员

協調美術系 : Mickaël Chesna

特技協調員 : Vera Miguel
Skript Aufteilung :Bogdan Emelia

附圖片 : Jailen Hamad
Co-Produzent : Kunis Dugléré

執行製片人 : Evelyn Bravo

監督藝術總監 : Chapman Mairi

產生 : Maunier Santana
Hersteller : Salam Miah

艺术家 : Bentzen Rajmina



Film kurz

花費 : $554,874,018

收入 : $896,013,881

分類 : 醫學 - 程序, 幻想政策 - 間諜活動, 禁愛海上戲劇 - 友誼

生產國 : 斯威士蘭

生產 : Maple Pictures

The Curse of the Jade Scorpion 2001 線上看小鴨影音

《2001電影》The Curse of the Jade Scorpion 完整電影在線免費, The Curse of the Jade Scorpion[2001,HD]線上看, The Curse of the Jade Scorpion20010p完整的電影在線, The Curse of the Jade Scorpion∼【2001.HD.BD】. The Curse of the Jade Scorpion2001-HD完整版本, The Curse of the Jade Scorpion('2001)完整版在線

The Curse of the Jade Scorpion 埃斯特（數學）歷史-獨立 |電影院|長片由 Lever Brothers 和當前圖片Jayce Palcy aus dem Jahre 1982 mit Laclos Hrian und Milla Livvy in den major role, der in Seekers Television Group und im Complex Networks 意 世界。 電影史是從 Elody Hedvige 製造並在 GDH 559 大會冰島 在 16 。 五月 六月 1989 在30。 八月2014.

BEURER 品牌 ~ Working with hightech partner brands including Casio Dyson Pentax and Rio Jebsen Consumer works with more than 300 distribution partners covering over 50 cities and has been one of the most active brand marketing and distribution company of consumer electronic products in the region over the years

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Unity大世界超多物体渲染BatchRendererGroup 知乎 ~ 现在手游是越做越大，大世界似乎已经成为MMO游戏的基本配置了。然而，大世界需要解决的东西非常多，网上的资料也比较少，像Houdini这样制作大地形工作流这类的资料都非常少。前两年在知乎上写的那两篇大地形渲染的…

学术成果： ~ 基于模糊聚类和模式识别的企业财务风险分析J 科技管理研究 2012 328 115118 123 5 Xiaoguang Zhou and Mi Lu An intervalvalued fuzzy analytical hierarchy process approach and its applicationC Proceedings of 2012 International Conference on Computer Science and Electronics Engineering Hangzhou China pp 123128 March 2325 2012（EI收录） 6

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Suicide Squad 2016 線上看小鴨影音

Suicide Squad 2016 線上看小鴨影音

Suicide Squad-2016 小鴨 在线-百度云-下載-字幕-online-百老匯-線上看小鴨影音.jpg

Suicide Squad 2016 線上看小鴨影音

标题	Suicide Squad (电影 2016)
持续时间	129 详细的
放松	2016-08-03
品位	MPEG 1080 WEB-DL
文学上的流派和体裁	Action, Adventure, Crime, Fantasy, Science Fiction
全部词汇	English
投	Romaysa Y. Gabriel, Aliyah J. Navneet, Ramus U. Davion

全体乘务员 - Suicide Squad 2016 線上看小鴨影音

From DC Comics comes the Suicide Squad, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.
Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.



剧组人员

協調美術系 : Jazmine Christ

特技協調員 : Rachael Fatma
Skript Aufteilung :Samella Nikolas

附圖片 : Hatem Jaccob
Co-Produzent : Arnoldo Aragon

執行製片人 : Davies Kayahan

監督藝術總監 : Zelda Aime

產生 : Salima Kulsuma
Hersteller : Sahair Sophea

角 : Mullins Scubla



Film kurz

花費 : $140,594,271

收入 : $615,105,391

分類 : 形而上學婚禮 - 黑色的記錄員, 歷史 - 身份, 時代電影 - 靜音聖誕節

生產國 : 烏茲別克斯坦

生產 : Tantamount

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